Jun 06, 2019 A night in Tunisia (1942) de John Birks 'Dizzy' Gillespie (1917-1993). Arreglado para guitarra e interpretado por Roland Dyens (1955-2016), de su disco 'Night And Day - Visite Au Jazz' (2003). Roland Dyens – Night And Day. A Night In Tunisia Composed By – Dizzy Gillespie: 10. Search for Night And Day - Visite Au Jazz Sell CD.
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A NIGHT IN TUNISIA ROLAND DYENS PDF
A Night in Tunisia. Dizzy Gilespie. Arrangement Roland Dyens. Do you know that Roland was born in Tunisia? A Tunis-Tunisie. Watch Roland Dyens Play the Jazz Classic ‘A Night in Tunisia’ French guitarist, composer, and arranger Roland Dyens would have turned. Watch Roland Dyens Play the Jazz Classic ‘A Night in Tunisia’ French guitarist, composer, and arranger Roland Dyens would have turned.
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Sep 29, 5. Forum guitare classique – Forum chitarra classica – Foro guitarra clasica – Free sheet music for classical guitar – Delcamp. The Gear Page is run by musicians for musicians. Forum rules Respect Copyrights: Do you already have an account? Classical Guitar Skip to content. Sep 28, 2.
A Night in Tunisia
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Listen & view Roland Dyens – A Night in Tunisia lyrics & tabs
I heard Thibault Cauvin play it at a recital recently and thought it was fantastic, especially the ‘left hand only’ melody goland the right hand plays percussion on the guitar body!
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Board index All times are UTC. I’ve never heard such good tapped tones. Sep 28, 1.
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It comes with the rest of the pieces in the same album so the book is fairly bulky, but those are enjoyable as well. Sep 29, 6. Yes, my password is: It’s probably not available as a solo piece, but it is available on the album Night and Daywhich is available at fretsonly and probably other good retailers.
LucidologySep 29, Your name or email address: I think someone said that he’s “saved the classical guitar from itself” or something like jn.
Roland Dyens – A Night in Tunisia
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Night in Tunisia (Roland Dyens by Andrei C. Pătrăşcan Free Listening on SoundCloud
Roland Dyens is such a great player. A student just hipped me to this Home Forums Recent Posts. Nighf is one time when it doesn’t sound simply like a guitar getting hit.
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That is insanely creative and amazing. Sep 29, 4. Bryan TSep 29, Thank you for sharing.
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|'A Night in Tunisia'|
|Instrumental by Dizzy Gillespie & His Sextet|
'A Night in Tunisia' is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.
It is also known as 'Interlude'. Gillespie called the tune 'Interlude' and said 'some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. 'A Night in Tunisia' was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.
On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: 'At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can.' The audience laughs, but Blakey responds, 'Seriously.' The liner notes say, 'The Texas department of sanitation can take a low bow.'
The complex ostinato bass line in the 'A section' is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard 'Alone Together', causing the V chord to lead back into the Sub V of the A section.
Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections — in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
- Art Blakey with Lee Morgan, A Night in Tunisia (1960)
- Chuck Brown, Hah Man (1994)
- Clifford Brown, The Beginning and the End (1955)
- Bill Evans and Tony Scott
- Dexter Gordon with Bud Powell, Our Man in Paris (1963)
- Donald Harrison, Real Life Stories (2001)
- Hugh Masekela, I Am Not Afraid
- Bobby McFerrin with The Manhattan Transfer featuring Jon Hendricks
- The Modern Jazz Quartet
- Lee Morgan, The Cooker
- Fats Navarro (1950)
- Charlie Parker and Dizzy Gillespie, Jazz at Massey Hall (1953)
- Bud Powell (1951)
- Boyd Raeburn with Dizzy Gillespie, 1945
- Sonny Rollins, A Night at the Village Vanguard (1957)
- Sarah Vaughan, 1944
- Red Garland, Auf Wiedersehen (1975)
- Mary Lou Williams, Live at the Keystone Korner (1977)
- ^Porter, Eric (31 January 2002). What Is This Thing Called Jazz?: African American Musicians as Artists, Critics, and Activists. University of California Press. pp. 74–. ISBN978-0-520-92840-4. Retrieved 14 October 2018.
- ^'Night in Tunisia' at jazzstandards.com. Accessed 10 January 2008.
- ^Gillespie, Dizzy (2009). To Be, or Not – to Bop. University of Minnesota Press. pp. 171–172. ISBN978-0-8166-6547-1. Retrieved 14 October 2018.
- ^ abcdefghijkGioia, Ted (2012). The Jazz Standards: A Guide to the Repertoire. New York City: Oxford University Press. pp. 299–300. ISBN978-0-19-993739-4.